Shenzhen Urban Planning Exhibition is one of the components of Shenzhen Contemporary Art and Urban Planning Hall, which is a window to fully present the development history and construction achievements of Shenzhen city. It’s a center for studying urban issues, thinking about planning management and discussing design innovation, and a public place for citizens to learn, understand and participate in planning. Its multiple functions determine its special positioning as a “public spiritual space” with academic height and cutting-edge thinking, as well as a cultural activity center to cultivate public “home consciousness”. The Planning Hall expresses the curatorial theme of “Shenzhen is the vitality” through the triple narrative of “the city lives together”, “the city builds together” and “the city thinks together”. The third floor focuses on Shenzhen’s natural ecology, human life and the functional zoning and basic planning related, reflecting the vitality of nature and life. The fourth floor focuses on the strategic and innovative planning of Shenzhen, reflecting the vitality of planning and urban growth. The fifth floor is dedicated to the vitality of ideas in the form of planning discussions, focusing on the introspection and outlook of Shenzhen in history and the future, the global and the Greater Bay Area, reality and imagination, and the vitality of ideas in the form of planning discussions. The Shenzhen Planning Exhibition adopts various high-tech technologies to show the city’s historical reform, urban construction, humanistic values and other aspects perfectly. The “Pengcheng Prism” is the core art installation of the exhibition, presenting a natural overview of Shenzhen’s 3,428 square kilometers and pattern of mountains and seas with a 1:7,500 3D-printed sand table, and spanning three floors of the exhibition hall in three dimensions, so that the natural, planning and humanistic elements of the city can be seen at a glance. The exhibition uses binocular cameras to capture images of visitors’ faces, generating three depths of information impact, and after processing, their pictures and messages will evolve into an ever-expanding stream of synchronized information in 37 LED displays, giving visitors an interactive experience; The table-shaped installation shows the four habitat concepts and related plans of Shenzhen, including ocean, coastal zone, earth and city, and triggers visitors’ visual, auditory and tactile senses with various effects, and it specially adopts AR virtual reality technology to create an all-round and immersive viewing experience for visitors. Based on mobile slide technology, gifted Shenzhen arc LED screen features “split screen” and “combined screen” two modes. The film is produced with aerial, live-action, 3D, special effects, and live-action composites at resolutions up to 9600×2700, and can be stitched together for near-seamless playback even in the multi-directional movement of the screen array. The Urban Cinema is a large immersive video installation consisting of a tri-fold wall screen and floor screen, with 21 projection units to show ultra-high resolution films, interpreting the 24-hour life of Shenzhen, allowing visitors to immerse themselves in the vitality and creativity of the city. The 790-meter-long Great Bay Metropolis scroll depicts the urban beauty of Shenzhen and other Guangdong-Hong Kong-Macao Greater Bay Area cities along the coastline. The long scroll is displayed in a 72-meter tilting screen made of 4,960 modules customized to achieve up to 3,10060 resolution of ultra-high definition animation playback, which is the highest level in China. In addition, the 17-meter large screen at its best viewing point supports the interactive display of big data visualization platform, bringing unprecedented visual effect. The exhibition concludes with a futuristic and imaginative mirrored meditation space. The operation of this meditation space is driven by reason, and the sound basis of its background music is evolved from sine waves, and the chain rhythm generated by the combination of lighting is generated by the system capturing six meteorological data of Shenzhen in real-time, including wind, rain, clouds, temperature and humidity, which are converted by algorithms. The concept of nature is a call for people to return to being close to nature in the midst of the steel and concrete buildings lining up in Shenzhen.